Jos Stay Online

The short film by Legendary Mixer is a campaign on SICKLE CELL ANAMEA, the importance of knowing ones genotype and its compatibility with that of one’s spouse to avoid giving birth to sickle cell carriers.

Everything is set and shooting  has begun. These are pictures from the first day of the film shoot. As Legendary Mixer and his team continue the project, we wish them God’s guidance to a successful end.

Read More about #LivingCell

Due to the recent outburst of the hashtag #Livingcell on social media platforms, team legendary mixer pictures thought it wise to release an official statement that will give the general public detailed update on the entire project.

Living cell the short film is a campaign on SICKLE CELL ANAMEA, the importance of knowing ones genotype and its compatibility with that of one’s spouse to avoid giving birth to sickle cell carriers.

The project doesn’t just stop at enhancing the health sector, but also the tourist, hospitable and entertaining nature of the set location “JOS, PLATEAU STATE” With great support from #JosEntertainersForum and #JosBloggersForum, the project is envisioned to not just towards “Sickle Cell Anaemia” but also uniting and creating platforms for Indigenous artist in Jos, plateau State, thereby ensuring they give back to their immediate society in terms of social responsibility. This statement is aimed towards giving the general public an official statement from the handlers of this project.

Executive producer >MR AND MRS FRIDAY,

Director>WALSHAK FRIDAY,

CO-Producer> BOURNAVENTURE JEREMIAH,

Story By>JONES AMAYA,

Script writer> ADAMS PETERS,

LOCATION: Jos, Plateau State

Download Freebeat Monday Vibes (prod by noble icon)
A lot going through my mind, a lot i couldn’t. really say so i had to express my self in this beat.
seriously i could best relate to this as an extension of fusion.

Download Here

During a recent radio interview, the singer had claimed that the practice of infusing Ghanaian sounds and slangs into Nigerian music was started by him. And that, other artistes in the country are now copying his ‘formula’ in order to have hit songs like him.

Immediately the video recording of the interview surfaced on the Internet, Nigerians lambasted him for making false claims.

The dust had yet to settle down on that incident before the controversial singer also claimed that he rejected an oil and gas job that would have fetched him $6,000 per month in order to pursue his music career. Meanwhile, some Nigerians shared pictures of Mr Eazi’s LinkedIn page, which showed that the singer only worked as an intern at Schlumberger for six months in 2010.

However, in a chat with Sunday Scoop, the singer stood by his words.

“The interview that caused this uproar was just me speaking my mind and saying things the way I see it from my perspective. It wasn’t meant to be an insult to any Nigerian artiste. You cannot deny that I brought a new vibe to the industry and I believe everybody can see that. Now, there are lots of Nigerian artistes who use Ghanaian words and melodies in their songs, but they’ve never been to Ghana. So how did they get to know about those words? There are a lot more songs out now that have that Ghanaian influence, and with all due respect, I can boldly say that started after my songs started gaining popularity.”

Asked to mention one artiste that has ‘copied’ his style, the dreadlocks-wearing singer said:

“I don’t have to mention anybody’s name. I am sure that those who are discerning know what I’m talking about.”

Speaking on the $6,000 job he allegedly turned down for music, Mr Eazi said:

“I turned down the job; I didn’t say I had started working there. I don’t think there is anything wrong with being an intern. I don’t have anything to gain by lying about such a thing.

The truth remains that I was offered a job by Schlumberger, but I decided not to take it, but rather concentrated on my career. And that is a decision I’ve never regretted till date.”

Former aviation minister, Femi Fani-Kayode has said efforts by President Buhari to wipe out the Igbo race shall fail.

According to him, ‘the attempt to break, subjugate and wipe out the Igbo race through the auspices of ethnic cleansing by Buhari shall fail.

This is not about IPOB but about an irrational and pathological hatred of Igbos.If he gets away with it he will come after the rest of us!’.

United have made a flying start to the season, scoring 12 goals to collect 10 points from their opening four league games.

Mourinho, whose team host Everton on Sunday, led Chelsea to three Premier League titles, but the Portuguese tactician feels it has never been tougher in England.

“I think it is more difficult now,” he said. “The economic power belongs to everyone.

“When you speak about economic power, it is not just to buy but to keep players and say, ‘No, we don’t sell’. That power belongs to every club in the Premier League, so the teams are potentially strong.

“But it was always difficult for different reasons. It is difficult because this is the country with more teams that fight for the title.

“And with more teams outside that group of six or seven who have conditions to give you hard matches and to take points off you.

“It is difficult because it is competitive. It is the most difficult country in which to win the title.”

United showcased some of their economic power in the off-season, including buying Romelu Lukaku for a reported £75million from Everton.

Mourinho played down his impact in landing the Belgium international, who has already netted six goals this season, amid apparent interest from Chelsea.

“I don’t think it was my influence, no,” he said.

“I think that we paid the money that Everton asked for and we paid the player the wages that his agent asked for and we paid the agents the commission that they asked for.

“I don’t see another reason.”

Here are the 5 things to love about iPhones;

iPhones look great, they look classy and sleek and that is one thing that can hardly be denied. Even after many upgrades and changes, the iPhone still has the most singular look of any smartphone in existence. The fact is, there is simply no smartphone device in the market that is as immediately recognizable as an iPhone – there is simply none like it. In addition, the phone has a practically flawless fit and finish and is made with very high quality materials.

Having an iPhone is like ‘having the month’s hottest accessory’. There is a status that comes with the phone that is practically unrivaled, for this reason the phone is more or less a precious object to most iPhone users and an extension of themselves (they paid good money to attain that class, so they want you to see it). Some iPhone buyers are even more attracted to its prestigious status symbol than the function of the phone itself.

Another unique feature of the iPhone which is unlike any other is its operating system – it leaves its users coming back for more. Apple releases a new mobile operating system every year, with updates that keep making everything about the phone so perfectly engineered to the way its users like it. The constant updates keep users coming back for more.

iPhones have the advantage of the best quality and quantity of available apps. Usually, the best apps can immediately be found on the Apple app store the minute they come out. Android, more particularly Microsoft and BlackBerry, have had more trouble convincing developers to create software for their devices, mainly because Apple users spend more on apps, which leads to a bigger potential payout for developers, so developers are more keen on immediately developing apps for Apple.

Over many years, iPhones still remain the easiest phone to use by far and its users love the phone for this. It has also managed to maintain its classic look and feel over many years, which is considerably impressive.

Off his brand new album titled “Attention To Detail”, superstar artiste Kcee, unleashes the visuals to the ‘atilogun’ pop-sounding tune titled “Dance“.

Kcee went in in this song with a feature from rapper Phyno who was the perfect choice for a collaboraton of this magnitude.

Directed by Clarence Peters.

From the outset of my time in the public sphere, I have been against a seemingly needless division and splintering of the concept of Contemporary Paganism as a religious grouping or term. As an example, I loathe the term “neopagan” in any of its iterations. If one looks at the history of the word and concept of “paganism” as it has been used inside academia and outside, the term simply does not make any sense. The traditional use of “pagan” has, since the fourth century, meant one who is a non-Christian. This use of the term persisted throughout Christian-dominated discourse, often with strict negative connotations. It has only been comparatively recently that there has been a push to more accurately define traditional “paganism” in the contexts of their cultures, as individual indigenous belief structures and religious enactments.
Neopagan, then, implies a “new not-Christian”. It continues to hold back the development of an identity by dragging the concept of the “Pagan self” back into a Christian-oriented paradigm. It effectively puts the whole of the movement (as it exists) back within the shadow of Christian-dominated ideology. I have found that most people who profess to be Pagans cannot properly articulate what their religious practices are and defining their “religion” without inversely comparing it to Christianity.
Ask someone to describe part of their religion and they may say “We do not believe in Original Sin”, instead of describing their theology.
Is it because they figure that framing their explanation within a Christian context helps to inform whomever they are talking to? Or is it because they do not know how to articulate their theology without doing such? I believe it is more the latter. This is obviously problematic for the creation of a healthy self-image.
So because I have detested the needless division of “Paganism”, I followed a system of treating that word as a proper noun – making a clear distinction between traditional (or “academic”) paganism and Paganism. To further drive home the fact that this religious grouping is very much a new religious movement, I have followed a handful of scholars and writers int he use of “Contemporary Paganism” as a qualifier. It makes a bit more sense than “neopagan”, despite being a bit more clunky to write.
But it’s becoming clear to me – perhaps finally – that this terminological use is insufficient due to the varying philosophies, theologies, and agendas that are often at odds within the public fora of Contemporary Paganism. Of particular note and interest is the shifting and moving definitions (and, in some cases, goalposts) of what constitutes a “religion”. This is often done in order to accommodate some of these philosophical and theological outlooks (and, I find, necessarily edge others out).  
So it is perhaps important that we define what “religion” is, and how it should be approached in the discussion of the contemporary iteration of Paganism as a new religious movement. And, above all, whether Paganism qualifies.
We shall be going back to basics, as it were.
Religion, on Wiktionary, is defined as:

“Religion” in colloquial parlance has evolved from describing a system of belief and worship to anything which one might find a zealous adherence to – sports teams, political affiliation, other ideologies.
So the dictionary definition is particularly unhelpful, if anything can be considered a “religion” if there’s enough conviction. I find that it also helps to look at the various definitions from disciplines that actually study the emergence of religion as a human institution.
The anthropological definition, in some quality, of religion is: a set of attitudes, beliefs, and practices pertaining to a supernatural power.
In sociology, Durkheim described religion as: “a unified system of beliefs and practices relative to sacred things, that is to say, things set apart and forbidden – beliefs and practices which unite into one single moral community called a Church, all those who adhere to them.”
A further breakdown shows a distinct difference in the function and role of religion in society.
Further, we can see various definitions in some of the descriptions of religions across other multiple disciplines (already featured on this blog but reproduced here):
“Religion is ‘a verbal and nonverbal structure of interactions with superhuman being(s).” – Hans Penner, Impasse and Resolution: A Critique on the Study of Religion.
“[Religion is] a convenient label that we use to put together all the ideas, actions, rules, and objects that have to do with the existence and properties of superhuman agents such as God.” – Pascal Boyer, Religion Explained: The Evolutionary Origins of Religious Thought.
“All religions follow the same structural contours. They invoke supernatural agents to deal with emotionally eruptive existential anxieties, such as loneliness, calamity, and death. They have malevolent and predatory deities, as well as many benevolent and protective ones.” – Scott Atran, “Religion’s Social and Cognitive Landscape”, in Handbook of Cultural Psychology.
It is held, with fair frequency, that the overwhelming definition of a “religion” is a series or grouping of rites, practices, and beliefs which concern themselves with both human society and the “intersection of” or “concern with” a supernatural power.
There will be disputes to any of these definitions, of course. Durkheim also said that religion can appear and change due to the needs of society and the culture in question – which necessarily means that the concept is not as static as some people would otherwise like.
But it also needs to be remembered that “religion” as a term is definitely influenced by our own cultural contexts, with a nuanced history of being informed by Christian and Romanticist concepts as to what constitutes “real” or “valid” religion. This is the case in various scholastic circles predating the mid-20th century. These definitions come in and out of vogue, as with many things in the course of human events and, despite the foundational quality to religion as a feature of society, this creates these shifting opinions as to the essential nature of religion.  
All too frequently these attempts to describe “religion” are monothetic when it is perhaps best described as a polythetic practice. That is, the act and description of religion cannot necessarily be reduced down to a single basic idea or principle, often transcending ontological or epistemological concerns.
More simply put: religion cannot be properly described according solely to a checklist of attributes.
Stanley K. Stowers has a lengthy description of what he considers the polythetic aspects of a definition of “religion”, as presented in his paper “Theorizing the Religion of Ancient Households and Families“ and published in Household and Family Religion in Antiquity.  
He defines religion on page 11 as “often the linked and combined practices (i.e., doings and saying) of particular human populations (e.g., imagined as cultures, societies, ethnicities, groups, global movements) that involve the imagined participation of gods or other normally non-observable beings in those practices and social formations, and that shade into many kinds of anthropomorphizing interpretations of the world. Religion is the unfolding activity (including thinking and believing) involving those practices that postulate participation with and make reference to gods, normally non-observable beings and anthropomorphizing interpretations of the world.”
One of the characteristic and most inherent flaws in the discussion of religion, either in the discussion within the contemporaneous expression of Paganism or other discussions of historic incidences within the wider academic community, is that any discussion treats these myriad practices as autonomous from the human condition of society and culture.
“Religion is a class of practices that involve a broader, species-wide cognitive propensity.”, Stowers describes.  
There are no clear boundaries at the margins for what is or is not “religious”, or what constitutes a “religion”. This is especially true when one speaks to the nature of folk religion, which much of Contemporary Paganism follows. These religious beliefs can splinter off and justifiably be considered within the realms of philosophy, “folk science”, psychology, mythology, etc.  
These disciplines all constitute what a religion is, which can’t be reduced down easily (if at all).
This also ties neatly into my partial discussion about how the definition of “secular” space is inherently a triumph of hegemonic monotheism and that those Western polytheists that don’t see a distinction in the spheres of secular and religious.
What is clearest is that we can see there is no working definition of “religion” that is going to satisfy everyone within the conversation. Each individual is going to have their own perceptions based on their practice, traditions, academic backgrounds, and experiences if at all applicable. Any quality of the definition of the word “religion” is going to be, at most, “not bad”. Let alone “good” or “perfect”.
If we approach religion as a polythetic experience, a spectrum of interrelated practices, beliefs, and systems which cannot necessarily be reduced down to a minimum essentialistic nature, then we have to accept that there is never going to be a perfect definition. It is the unicorn of religious studies.
Those definitions which I employ above are based on three or four disciplines of academia, all of which concern themselves with social science (and thus, empiricism).  They are not perfect, and they do not cover all facets of religious definition, but if we treat the term “supernatural” (itself problematic) not necessarily as concerning the worship of “gods” but instead concerning with greater-than-human powers, then we see the number of recognized religions which would be edged out by definition are few in number.

Even Jainism, the posterchild example in the West of a “non-theistic religion”, recognizes and engages with a variety of supernatural beings, depending on the philosophical school.

There’s also something to be said about the fetishization by the West of Eastern religions for political purposes or other agendas.

How does this discussion of the definition of religion tie in with the contemporary incidence of Paganism?  Paganism is a similarly difficult concept to articulate properly.  Its traditional monothetic definition (a “nature-based” fertility religion) has fallen out of favor for a polythetic definition (a spectrum of religious identities which are likewise “not bad” in definition).  

Contemporary Paganism consists of both “true” new religious movements (Druidism/Druidry, Wicca/British Traditional Witchcraft, etc.) and traditionalist pagan revivals or restorations (reconstructionist/revivalist polytheistic traditions like Heathenry or the Religio Romana, etc.).  On paper, they do not seem to have much in common, yet are nevertheless grouped under the term of Contemporary Paganism.

A closer examination of the traditional understanding of “pagan” (excluding the non-Christian qualifier) religions would show that they are not as dissimilar in nature as they first appear.  In his book Pagan Theology, Michael York attempts to describe some of the qualities which these traditional pre-Christian pagan practices included.  These are

There are others, of course.  This list is neither comprehensive, nor wholly indicative.  But it is a useful baseline in comparing “Pagan” religions with other world religions.  Though Michael York’s writing treats this list as a historic incidence, I find that much of Contemporary Paganism features these.  What we see here is that these religious qualities largely persist across both of the spectrums of Contemporary Paganism.  That is, they are features in some way in the “New Religions” and the “Revived Religions”.  I will attempt to describe.  

In the case of these traditions, divinity is directly experienced and intertwined with the visible and material world.  This is true of a polytheistic revivalist, a dualistic Wiccan, or a panentheistic druid or a vaguely Emersonian naturalist.  The wills of these religions do not seek to transcend the world around them and recognize that we are only a tiny part of a larger whole.  Where they differ is in their concern for the recognition of the numinous divine.  This is the nature of corpo-spirituality.  It does not matter if divinity is a staunch multiplicity, a theological duality, or a distant universality of all (or most things).  It is immanent and inherent in the world.

Amusingly, this extends towards a predisposition to classical concepts of “idolatry”, featuring the sacredness of place and thing in a way which inherently makes Christianity uncomfortable.

Paganism is generally said, and commonly argued, to be concerned with orthopraxy over orthodoxy, that there is more emphasis on the proper action instead of proper belief.  I would perhaps make the argument that it is a blend of ritualism and orthopraxis instead.  Ritual efficacy and the role of custom, in both life and ritual, in the proper enactment of religious expression is seen.  What we cannot say is that belief is unimportant to any kind of theism.  It is simply that the adjudication of orthodoxy is less of a concern.

One must understand the theory (belief) to put it into action (praxis).

At first glance, York’s inclusion of “magical practice” as a qualifier for pre-Christian pagan religions (and thus, something that Contemporary Paganism is indebted to) might appear to be out of place, particularly with some religious philosophies opposed to the idea of “magic”.  Modern concepts of “magic” are conflated with the ceremonial magic of Wicca and British Traditional Witchcraft, inherited from the esotericist orders of the late Victorian era.  It is to be remembered, however, that “magical practice” in the context of some of these traditions include various operations of sacrifice, bribery, “low magic” (cunningcraft), and other similar items.  Even prayer, with its formulaic and intentional purpose, can be argued as a magical process.

I do find the term “deity” and “gods” to be particularly loaded, and one of my concerns with York’s list of these traditional qualities are the use of these terms.  There is an unfortunate baggage which arises from the use of these words, constituting an unnecessary predisposition towards the concept of the “big gods” – that the term “god” must be a figure of renown as Jupiter or Odin.  The study of traditional pagan cultures would show that the terms “deity” and “god” can include a plethora of varying divine figures including, but necessarily limited to, deified ancestral figures, nonspecific local spirits, tutelary beings of limited scope, and those traditional divine figures of renown and ethno-cultural importance.

This baggage is paramount in some modern restorations – notably Heathenry – who view these beings through an unnecessary lens of “power” or hierarchy, limiting the fundamental understanding of the importance of the “small gods”.  The theological language of modern Paganism is still very much couched within a Christo-centric world, and care should be made in light of that. The theological understanding of these beings in antiquity was nuanced, but few were viewed as “lesser” which the modern hierarchy would like to portray.  They simply held different roles and spheres of influence.

York’s biggest distinction in the incidence of Contemporary Paganism with traditional pre-Christian paganism (classified by him as neopagan, geopagan, and recopagan, all terms which I consider problematic) is the lack of emphasis on shrine and temple culture that the latter had promulgated.  What I believe he is referencing is more the establishment of a formalized priesthood, because the concept of the sacredness of space and delineation of sacred and profane is largely unchanged across the Paganisms.  The age of York’s book is apparent, given his articulation that “contemporary neopagans” do not exhibit a devotional quality before altars.

An inherent issue in hiving off the traditional, Christo-centric definition of “pagan” from the concept of Contemporary Paganism is what exactly the term incompasses.  As we’ve seen above, the concept of Paganism as a religion largely holds true throughout the contemporary incidence of it.  But so too do many other worldwide cultures.  In this way, “paganism” as a concept is very much like the usage of “shamanism”: it unhelpfully describes a collection of attitudes and folk practices, some of which can span the globe.  

This, of course, leads to a handful of problems:

All three of these issues are problematic in their own way, although one and two are intrinsically linked together.  Calling a tradition like African Tribal/Diasporic Religion (ATR/ADR), Shinto, or Hindusim (among others) “pagan” tends to receive negative responses, because of the implication that these cultures are “outsiders” in their own cultural and social context.  It diminishes their rich history, their own traditions, and the experiences of their religious developments.  Jordan Paper’s book The Deities are Many discusses this a bit, and the (then) growing trend of the recognition of indigenous practices in their own contexts.

The third point is one that is particularly important to me, as someone who identifies as a Contemporary Pagan. The popular expression of Paganism when it became semi-”mainstream” in the 1990s often relied on appropriating concepts from other religions in order to fill gaps in practice or belief, or because it interested the practitioner, or any number of reasons. The closeness at the time between Paganism and the New Age movement encouraged a brand of eclecticism (used here not as a pejorative) and cherry picking which was ultimately harmful to many of the cultures which were being drawn from.

We see this attitude replicated again and again, and one of the most recent and extreme examples I can think of came from the recent struggle at Standing Rock and the actions of some of the “allies” there (Part 1, Part 2). While we’re not sure that these women were “Pagan”, this attitude is all too frequent. The discussion of this practice merits its own entry.

But the value in narrower definitions, as tools to generate a more thorough identity should be shown. A group with a watery and ill-defined identity will not have a firm foundation in order to thrive – as a comparison, the Unitarian Universalist membership and reenrollment have been trending downward every year since 2008.

One of the methods I employ in the definition of “Contemporary Paganism” as a distinct religious grouping is to utilize a firm cultural boundary, and I extend it to the religions which are either largely descended from (revived) or inspired by the folk religions of both the European-Mediterranean and Mesopotamian cultural basins. This positions Contemporary Paganism as a purely Western religious expression, recognizing and advocating for a distinct identity which can be erected, and reasonably encompasses the history of “the West” (Pre-Classical and Classical antiquity), while at the same time including new religious movements that are inspired by that expression.  

Of course, not everyone will agree. But I find that the definition, again, is “not bad”. And, what’s more, it’s workable.  

By studying these new religious movements and the revived traditionalist religions of Contemporary Paganism, we see that Paganism aligns with the themes and essential concepts of religion. Its emphasis on supernatural/greater-than-human interaction, the definition of a continuum of sacredness and delineation of profanity, and an inherently foundational concept of interrelated and codependent reciprocity all assist in positioning Contemporary Paganism as a religio-spiritual institution. Where these Pagan religions differ are in the emphasis placed upon these facets.

Like Stowers said in the quote previously shared, “religion” is a problematic term, with numerous pitfalls and qualities that are inextricably linked. It ultimately encompasses, not excludes, a diversity of discipline and opinion, which form the totality of its expression within a culture. Paganism, as a contemporary religious grouping, is likewise problematic and encompasses disciplines as theology, philosophy, and folk psychology, which all inform its existence. In comparing modern iterations of Pagan religiosity with traditional concepts of pre-Christian pagan religion, we see that it is a series of orthopraxic and ritualistic lineages within what amounts to a truly multi-faith milieu.

When approaching Contemporary Paganism and contrasting it to traditional concepts of “pagan religiosity”, we’re struck with the growing development that within Contemporary Paganism of two distinct interpretations. The first is to treat Paganism, as I have done here, as a religio-spiritual edifice. The second is to treat Paganism in the vein reminiscent of Loyal Rue and Ursula Goodenough and approach it, instead, as an “attitude”.